1) “Most Beautiful Work Award” - Which piece of writing (formal or informal) are you most proud of and why? What other skill or habit have you developed (maybe as a reader?) that you are proud of?
-I would say that I am most proud of the short story I wrote for the Tragedy Project. I really liked the setting of the story and would have liked to have gone more in depth with it. My writing and editing skills have definitely improved as a result of writing essays in class and the numerous college essays I've written.
2) “Lesson Learned” - What content do you feel you have mastered? Or, which skill(s) did you enjoy learning and feel that you have had some success in developing? How so?
- As said I have become better at writing. I also feel that I've become better and faster at reading. Atlas Shrugged had very small font, was extremely long, and very complex. This forced me to develop stronger attention span while reading and the ability to read faster. I also became better at analyzing texts. The many annotation we had to write on articles, poems, and novels all helped me to develop this skill.
3) “Lessons I’d Like to Learn” - Which skills would you like to develop before graduation? What content do you feel that you need to know in order to feel ready for college? Do you have any project ideas?
-I would like to improve upon my creative writing skills. I already feel that these are strong but I simply enjoy writing stories and think it would be fun to have an assignment of this kind. I would also like to do another reading focused project. There are many books that I want to read next semester after hearing all of the presentations.
Friday, December 17, 2010
Friday, December 10, 2010
Week of 12/5-10/10
This week in class we have continued to work on our presentation and abstract for our reading project. So far my abstract has been going well and I think that my partner and I, Stephan, are going to do a Socratic seminar to present our book, Atlas Shrugged. I'm still unsure of how we should run the seminar. Right now we have two potential options. The first one is we could present our findings and Ayn Rand's beliefs on selfishness and then have the seminar where the class would discuss whether selfishness is ever moral and/or practical. The other option is that we have a general discussion on selfishness and morality and then afterwords we present our findings and show Rand's take on it. I feel that both ways have their merits and strengths but I'm unsure which one to go with. Opinions?
Friday, December 3, 2010
Atlas Shrugged Product
For he reading project my group read Atlas Shrugged.Which is essentially an 1,100 page novel that tries to prove that selfishness can be moral and practical. We need to show this somehow in our presentation and we're not quite sure how.
One idea I had was to set up a game that the class would play where by do doing some action they earn pieces of candy and my group would act as administrators. After a few rounds we could then start "redistributing the wealth" by taking candy from the successful people to "support" the unsuccessful ones. We would design it so that as the game progressed the system would collapse upon itself as the successful loose their incentive to work because it's just going to be taken from it and the unsuccessful will loose their incentive because the successful will support them. This cycle is what happened in the end of the novel so it would be fitting. However, I'm concerned that it may be too difficult to design the game, and that it might not work out how we want which would be embarrassing.
The other idea we had was to arrange a Socratic Seminar where a few members of the class would discuss whether selfishness can be moral and/or practical. We like this idea but we are hesitant that the group will just all agree that selfishness isn't moral or practical, seeing they haven't read the novel and generally society looks down upon selfishness. We were thinking that maybe we would sit in on the discussion so that we could make it more dynamic but we feel that that may be a little weird.
Opinions?
One idea I had was to set up a game that the class would play where by do doing some action they earn pieces of candy and my group would act as administrators. After a few rounds we could then start "redistributing the wealth" by taking candy from the successful people to "support" the unsuccessful ones. We would design it so that as the game progressed the system would collapse upon itself as the successful loose their incentive to work because it's just going to be taken from it and the unsuccessful will loose their incentive because the successful will support them. This cycle is what happened in the end of the novel so it would be fitting. However, I'm concerned that it may be too difficult to design the game, and that it might not work out how we want which would be embarrassing.
The other idea we had was to arrange a Socratic Seminar where a few members of the class would discuss whether selfishness can be moral and/or practical. We like this idea but we are hesitant that the group will just all agree that selfishness isn't moral or practical, seeing they haven't read the novel and generally society looks down upon selfishness. We were thinking that maybe we would sit in on the discussion so that we could make it more dynamic but we feel that that may be a little weird.
Opinions?
Friday, November 19, 2010
Week of 11/13 - 11/20
Lately I have been working on my personal statements for colleges and over the thanksgiving break I have around ten essays or so to write. While working on these essays I have been wondering what makes a good personal statement? Obviously, it has to be personal and show something about you, but what is the best way to show you personality in an essay and make the reader connect with you and want to know more about you? I don't know the answer to this question, otherwise I'd have all my essays done by now. But I think that one way to help the reader connect with you is to include little traits about yourself that are common to all people, thus making yourself more relate-able, such as like a little nervous tick you have or something along those lines. I feel that details like this, though small and seemingly insignificant, are in some ways more real and common amongst people.
Friday, November 12, 2010
Week of 11/8 - 11/12
I have yet to talk about the book I have been reading for Stephanie's class, so I figured I would take a break from writing about tragedies and talk about Atlas Shrugged. Currently, I am about half way through the book and it's really staring to get interesting. Regardless of her political ideologies, Rand is a phenomenal writer. I've realized that throughout the novel she typically will briefly reference a character at one point, then start talking about them more later in the book, and ultimately have at least one of the main characters meet them. It's like she's constantly setting up interactions and events that are unlikely to happen yet happen anyway, and when they due the reader is blown away. This lead me to realize that this plot device is used in many novels and helps to make them extraordinary because so many unlikely events are taking place. It seems common for authors to allude to characters or events so that they can make them cross paths to the amazement of the reader later in the story.
Also, when considering the fact that Atlas Shrugged is almost 1,100 pages I keep wondering how much of the story Rand planned out before she started writing the novel and how much she included in the spur of the moment. The plot is seems so intricate and covers so many interactions between a very large amount of characters I find it hard to imagine her meticulously planning out a novel of this proportions before even starting to write it.
Also, when considering the fact that Atlas Shrugged is almost 1,100 pages I keep wondering how much of the story Rand planned out before she started writing the novel and how much she included in the spur of the moment. The plot is seems so intricate and covers so many interactions between a very large amount of characters I find it hard to imagine her meticulously planning out a novel of this proportions before even starting to write it.
Thursday, November 4, 2010
Tragedy Creation
This week in class we have been working on our tragedy essays and I am now starting write my story. Moving forward I am concerned about how I will make a story so short be tragic. I'm afraid that I am not going to have enough to adequately develop the protagonist so that the readers will actually care about his fate. I also feel that as I'm writing I am going to be tempted to keep writing so that the story will be more emotional. I like the idea of each of us creating our own tragedy, but I would like them to be longer and more substantial. It think it would be awesome to work on them in small increments over the next month so that by the end we have a more dynamic story.
My story is set in post apocalyptic Corinth and is about the leader of the town's past coming back to haunt and ultimately destroy. I'm trying to make a throw-back to Oedipus the King to kind of give tribute to Sophocles. However, even after reading the fifty page I didn't really have a strong with Oedipus or care about what happened to him. Granted, I feel that this can be attributed to the fact that he was a horrible person throughout the play. But even then I feel that if Sophocles couldn't generate enough character development for our class I am dubious that I will be able to any better.
My story is set in post apocalyptic Corinth and is about the leader of the town's past coming back to haunt and ultimately destroy. I'm trying to make a throw-back to Oedipus the King to kind of give tribute to Sophocles. However, even after reading the fifty page I didn't really have a strong with Oedipus or care about what happened to him. Granted, I feel that this can be attributed to the fact that he was a horrible person throughout the play. But even then I feel that if Sophocles couldn't generate enough character development for our class I am dubious that I will be able to any better.
Friday, October 29, 2010
What Makes A Tragedy
This week in class we have been reading essays about what makes a story a tragedy. We read articles by many different authors, all of whom had different opinions. The two readings I liked the most were "Tragedy and the Common Man" by Arthur Miller and "The Greek Tragedy: Doom is Booming" by Lloyd Rose. Miller had the opinion that tragedies were about a character struggling against society to improve or uphold their social status and this battle is tragic. Rose believed that tragedies were a story where you already pretty much knew the plot and you were simply watching the main character suffer, and dramas were stories where you find out what happens and these events bring on feelings of tragedy. Before these readings I always thought that tragedies and dramas were the same thing. I now realize that there are distinctions between the two, yet I disagree with Rose that they are entirely separate entities. I feel that dramas are the evolved modern versions of tragedy that have storytelling infused with the suffering. Dramas are the newer better version of tragedies. Just like films with audio are the improved version of silent films. We still view them both as movies, on the newer films have the advantage of better technology and storytelling techniques. Simply watching somebody suffer with no plot is not as enjoyable as watching a story unfold and seeing the character suffer with each new event.
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